Karana 7 & 8

7. Swasthikarechitham (whirling cross)

Swasthikaurechithaavidhauvislishtaukatisamsthithau
Yatrathathkaranamjneyambudhai: swasthikarechitham

This Karana begins with both hands being crossed and held in Swastikam Hasta at the chest. The hands are then rotated, separated and placed on the waist.
It is usually used to depict joy and beauty, and has the characteristics of Manipuri, Odissi and Kathakali.

8. Mandalaswasthikam (Crossed Region)

Swasthikauthukaroukrithva
Prangmukhordhvathalausamou
Thatha cha mandalamsthanam
Mandalaswasthikamthuthath

In this Karana, the body position is in Mandala Sthanakam. Along with this, the hands are held in Swastikam with the palms facing up and towards the audience.
Depending on the force of the movement, this Karana can be used in the depiction of ignoring, insulting or slighting.

Western Art Theories

Art is one of the cultural activities of man through which the artiste brings his ideas, values, feelings, aspirations and reactions to life. The generic purpose of art is to provide aesthetic experience and enjoyment to the recipient. Art give outlet to the artist himself to reveal and express his innermost aspirations, feelings, sentiments and […]

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DASARUPAKAS

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Atodhyas – Musical Instruments

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Rasa, Bhava, Vibhava, Anubhav, Sanchari And Sthayi Bhava

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Musical and Choreographical Analysis of Guru K J Govindarajan’s Hindolam Tillana

This research study by Ms. Rashmi Khanna was published in the UGC approved journal STOM in its 2024 special issue.

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Banis or Styles in Bharatnatyam

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Abhinaya Darpanam

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The Importance of Dance in Kalidasa’s Works

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Dance Therapy

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Cultural Significance of Indian Mythology in Dance

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