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Classical Tradition
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Classical Tradition
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Classical Tradition
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Classical Tradition
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Classical Tradition
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Awards200+
Students200+
Performances16+
ArangetramsAbout KKM
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Kalyani Kala Mandir welcomes you to be a part of its extraordinary journey, where tradition meets innovation and artistry knows no bounds. Whether you are an enthusiast, an aspiring artist, a parent looking for a dance class, music or nattuvangam for your child, or a patron of arts, we invite you to explore our performances, join our classes, witness our Arangetrams, undertake our workshops and become a part of the legacy of Kalyani Kala Mandir. KKM is associated with the World University of Design, Sonepat offering opportunities to the students to pursue Bachelor’s and Master’s degrees in performing arts.
About Rashmi Khanna
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Rashmi Khanna, a prominent Bharatnatyam exponent, is acknowledged as an adept dancer, guru, choreographer and a special educator. Director and the founding member of Kalyani Kala Mandir, she started her training in the Dandayudapanipillai style of Bharatnatyam from Guru Smt Kalyani Shekar at age seven. Her achievement in the precision of technique, form and abhinaya in the field of Bharatnatyam as well as creative Indian dance is unparalleled.
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Upcoming Events
13th July 2024
Bharatnatyam performance by the senior disciples of Kalyani Kala Mandir at Triveni Kala Sangam, Mandi House, New Delhi.
1st December, 2024
Bharatnatyam Arangetram of Sanjana Kumar at India International Centre.
Testimonials
Blogs
Western Art Theories
Art is one of the cultural activities of man through which the artiste brings his ideas, values, feelings, aspirations and reactions to life. The generic purpose of art is to provide aesthetic experience and enjoyment to the recipient. Art give outlet to the artist himself to reveal and express his innermost aspirations, feelings, sentiments and […]
DASARUPAKAS
In the 20th chapter of the Natyasastra, Bharata describes the 10 types of plays under the heading ‘Dasharupavikalpan’. Here, the term ‘Rupaka’ is used in the context of visual representation. Hence, in Bharatha’s theory, the term Rupaka is equivalent to drama and not to the current popular term ‘naatak’ which according to him is one […]