Karana 7 & 8

7. Swasthikarechitham (whirling cross)

Swasthikaurechithaavidhauvislishtaukatisamsthithau
Yatrathathkaranamjneyambudhai: swasthikarechitham

This Karana begins with both hands being crossed and held in Swastikam Hasta at the chest. The hands are then rotated, separated and placed on the waist.
It is usually used to depict joy and beauty, and has the characteristics of Manipuri, Odissi and Kathakali.

8. Mandalaswasthikam (Crossed Region)

Swasthikauthukaroukrithva
Prangmukhordhvathalausamou
Thatha cha mandalamsthanam
Mandalaswasthikamthuthath

In this Karana, the body position is in Mandala Sthanakam. Along with this, the hands are held in Swastikam with the palms facing up and towards the audience.
Depending on the force of the movement, this Karana can be used in the depiction of ignoring, insulting or slighting.

THE NAVARASAS

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Natyotpatti

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Western Art Theories

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DASARUPAKAS

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Atodhyas – Musical Instruments

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Rasa, Bhava, Vibhava, Anubhav, Sanchari And Sthayi Bhava

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The Natyasastra

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Musical and Choreographical Analysis of Guru K J Govindarajan’s Hindolam Tillana

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Banis or Styles in Bharatnatyam

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Abhinaya Darpanam

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Dance Therapy

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Samanya Abhinaya And Chitrabhinaya

The term ‘Abhinaya’ is usually interpreted as ‘acting’. According to Bharata, in the Natyasastra, this is incorrect, for ‘Abhi’ means ‘towards’ and ‘ni’ means ‘to carry’. This denotes the meaning of the play or act which is carried towards the audience. Therefore, the words (vachika), with physical gestures (angika) to suit the emotion (sattva), along […]

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