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Author: kkm

Nattuvanaar

Nattuvanaar is perhaps the most important person in a Bharatnatyam orchestra. Simply put the person who plays the nattuvangam is a nattuvanaar. However in reality it is so much more complex. Nattuvangam, also known as Thalam are a pair of metal alloy cymbals, one being flat, hard and base while the other being small, cup-shaped and shrill, which […]

Relevance of Bharatnatyam

Today I once again go back to the basics, the fundamentals, the essence… Bharatnatyam, ever since its origin centuries ago, has always been a powerful medium of communication. On tracing the origin and history of bharatnatyam, this fact can be further reinforced. According to the Natya Shastra, the monumental work on theatrical art by Bharata, in […]

Contribution Of Rukmini Devi In Bharatnatyam

Rukmini Devi Arundale (1904-1986), the renowned Bharatnatyam dancer is the person who is credited for the renaissance of Bharatnatyam dance form and more significantly making the dance which was primarily a forte of Devdasis, main stream and respectable in the society. Daughter of a well-known Sanskrit scholar and a theosophist Nilakant Sastri, Rukmini Devi was […]

Contributions on the Tanjavur Quartet to Bharatnatyam

Bharatnatyam, as we know today is a culmination of a process of evolution of the classical dance form through centuries. Once cultivated and nurtured in the temples and courts of South India it is a dynamic living tradition that is continuously evolving and metamorphosing through the socio cultural influences, political alignments and individual contributions through […]

Importance of Ghungroo in Indian Classical Dance

Indian classical dance includes diverse dance forms and multitude of styles, each significantly different from the other but at the same time sharing many features in common. All eight classical dance forms are primarily region specific, from Manipur in the North East to Kerala in the south, with their own distinct rhythm, beauty, costume, music, language […]

The Utility of Instrumental Music in Bharatnatyam

Although there can be music without dancing, there can be no dancing without musical accompaniment. Music therefore is undoubtedly an integral part of dancing. Aside from the vocal support rendered to a dancer, the other musical instruments widely used in Bharatnatyam are the cymbals, violin, veena, flute, tanpura and mridangam. As we all know that the […]

Jayadeva

Indian classical dances are rooted in mythology and borrow liberally from the literature be it Sanskrit or other classical languages such as Tamil, Telegu or Oriya. As such through the centuries many writers and poets have been adapted into the dance tradition, no one more often than the celebrated Sanskrit poet Jayadeva. Born in Kenduli, Orissa, […]

Jayadeva

Jayadeva, the renowned Sanskrit poet and lyricist was born in Kenduli, Orissa in the 11th century AD. The works of Jayadeva have had a profound influence on Indian culture. It forms the basis of the Indian classical dance form, Odissi, and has strongly influenced the Bharatanatyam classical dance as well as Carnatic music. Jayadeva was instrumental in […]

Devdasi

Devdasi, servant of God or Godess, is the Sanskrit word for a girl dedicated to worship and in the service of a deity or a temple for rest of her life. Devdasis, though an essential part of the temple worship tradition by taking care of temple duties and rituals also practised Sadir, the original form of […]

Nayika

We at Kalyani Kala Mandir try to stage at least one show or performance every year which is a fusion of dance styles or music or collaboration with artists from other streams of music or styles or dance. As you all know our collaboration with Sumana Banerjee with Rabindra Sangeet was well appreciated. My interest in […]